Pong!
砰！
2019
Mixed-media installation, HD Video, varable sizes, 3D print , acrylic paint, resin, faux pearls, mp5 player
在无限循环没有尽头的赛博时空中，无名的少女不断地站起来，向前走、走向虚空，被暗枪射死、露出裙底，再重生（或是另一个她），再向前，再被射死。暴力在无从指正施暴对象的情形下、在频繁麻木的重复中被消解殆尽。粉色的迷你播放器包裹着她的死亡，像电子宠物一般小巧可爱供人赏玩的死亡，假珍珠的光泽也包裹着她，变成漂亮的龛。这像被可爱化的日常暴力，它们像是透明风暴一样难以指出所在而正因此无处不在。
In the infinite cycle of Cyberspace, the anonymous girl keeps getting up, walking forward, walking towards the void, being shot dead, revealing her skirt, being reborn again (or being another her), moving forward again, and being shot dead again. The violence is dissipated in the frequent numbing repetition with no way to identify the perpetrators. The pink mini-player wraps around her death, a small and cute death like an electronic pet, and the shine of fake pearls wraps around her, turning her into a beautiful altar.It's like a cutesy everyday violence that is as hard to pinpoint as a transparent storm and is therefore everywhere.
In the infinite cycle of Cyberspace, the anonymous girl keeps getting up, walking forward, walking towards the void, being shot dead, revealing her skirt, being reborn again (or being another her), moving forward again, and being shot dead again. The violence is dissipated in the frequent numbing repetition with no way to identify the perpetrators. The pink mini-player wraps around her death, a small and cute death like an electronic pet, and the shine of fake pearls wraps around her, turning her into a beautiful altar.It's like a cutesy everyday violence that is as hard to pinpoint as a transparent storm and is therefore everywhere.
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